A ceramic tulipière from the 1950s, defined by a sculptural, almost futuristic form that rises into multiple bright-coloured openings. At first glance, the structure feels precise, but on closer inspection, its handmade nature becomes clear. Each tulip holder is individually formed, slightly varied in size, with visible joins where they… Read more
A ceramic tulipière from the 1950s, defined by a sculptural, almost futuristic form that rises into multiple bright-coloured openings. At first glance, the structure feels precise, but on closer inspection, its handmade nature becomes clear. Each tulip holder is individually formed, slightly varied in size, with visible joins where they meet the central body. These irregularities soften the geometry, giving the piece a subtle tension between control and imperfection. Traditionally used to display individual stems, the tulipiere allows each flower to stand on its own, creating a composed yet organic arrangement.
Produced by Pucci Umbertide, the piece reflects a mid-century moment when traditional ceramic techniques met more experimental forms. Based in Umbertide, in the Umbrian region of Italy, the workshop became known for combining handcraft with forward-looking design. The tulipière itself traces back to earlier European decorative traditions, where form was shaped around the ritual of arranging flowers with intention. Here, that lineage is reinterpreted—an object that feels both historical and unexpectedly modern, rooted in craft yet open in expression.
