{"title":"Kloosterstraat","description":"","products":[{"product_id":"brutalist-candleholder-set","title":"Brutalist Candleholder Set","description":"\u003cp data-start=\"62\" data-end=\"734\"\u003eA pair of Brutalist candleholders from 1960s Italy, defined by a raw, architectural composition. Each piece is hand-assembled rather than cast, with visible joins and an intentionally industrial character. The forms are irregular and vertical, with protruding arms set at varying heights, creating a sense of structure built in real time. As two separate elements, they can be arranged in multiple ways—shifting balance, silhouette, and negative space depending on their placement. The dark patina enhances their graphic presence, emphasizing line, weight, and contrast. With or without candles, they read as a sculptural object—grounded, deliberate, and quietly imposing.\u003c\/p\u003e\n\u003cp data-start=\"736\" data-end=\"1301\"\u003eProduced in Italy during a moment when Brutalism extended beyond architecture into domestic objects, the set reflects a focus on material honesty and direct construction. Made in Peltro 95—a high-quality, lead-free pewter composed primarily of tin with antimony and copper, traditionally used for tableware—the pieces carry both weight and refinement beneath their rougher appearance. What defines them is not ornament, but structure: an approach where form is revealed through making, and where each joint and surface remains visible, unresolved in the best sense.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"736\" data-end=\"1301\"\u003eDesigner,maker: unknown\u003c\/li\u003e\n\u003cli data-start=\"736\" data-end=\"1301\"\u003eMaterial: Peltro 95%\u003c\/li\u003e\n\u003cli data-start=\"736\" data-end=\"1301\"\u003eTechnique: hand-assembled metalwork\u003c\/li\u003e\n\u003cli data-start=\"736\" data-end=\"1301\"\u003eOrigin: Italy\u003c\/li\u003e\n\u003cli data-start=\"736\" data-end=\"1301\"\u003ePeriod: 1960s\u003c\/li\u003e\n\u003cli data-start=\"736\" data-end=\"1301\"\u003eMeasurements (each piece): L5.5 x W3.25 x H7 in \/ L14 x W8 x H18 cm\u003c\/li\u003e\n\u003cli data-start=\"736\" data-end=\"1301\"\u003eCondition: good vintage condition showing normal traces of use\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ad Origine","offers":[{"title":"Default Title","offer_id":48105605038328,"sku":null,"price":160.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/8884\/4280\/files\/AdOrigineBrutalistCandleholderSet-1.jpg?v=1774519879"},{"product_id":"floral-vase-eva-zeisel-schramberger-majolikafabrik","title":"Art Deco Vase by Eva Zeisel for Schramberger Majolikafabrik","description":"\u003cp data-start=\"425\" data-end=\"960\"\u003eAn Art Deco ceramic vase designed in the 1930s, defined by a compact, rounded form and a surface fully covered in bold floral motifs. Colour and pattern take the lead, creating a graphic, direct composition with a rhythm that feels both structured and expressive. The scale and repetition of the motif feel strikingly modern—recalling, unexpectedly, the visual language later seen in \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMarimekko\u003c\/span\u003e\u003c\/span\u003e prints. The form remains simple, allowing the decoration to define the object. It holds attention through pattern alone.\u003c\/p\u003e\n\u003cp data-start=\"962\" data-end=\"1611\"\u003eDesigned by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eEva Zeisel\u003c\/span\u003e\u003c\/span\u003e for \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eSchramberger Majolikafabrik\u003c\/span\u003e\u003c\/span\u003e, the vase belongs to the early part of her career in Europe, before her move to the United States. Based in the Black Forest town of Schramberg, the German factory was known for its collaborations with designers and its ability to translate evolving styles into production. Within that context, Zeisel’s work stands out for its balance—combining the decorative language of the period with a more fluid, human approach to form. Produced during the interwar years, the piece sits at the intersection of tradition and a more modern, personal interpretation of design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-start=\"657\" data-end=\"1127\"\u003eDesigner: Eva Zeisel\u003c\/li\u003e\n\u003cli data-start=\"657\" data-end=\"1127\"\u003eMaker: Schramberger Majolikafabrik\u003c\/li\u003e\n\u003cli data-start=\"657\" data-end=\"1127\"\u003eMaterial, technique: hand-painted ceramic\u003c\/li\u003e\n\u003cli data-start=\"657\" data-end=\"1127\"\u003eOrigin: Schramberg, Germany\u003c\/li\u003e\n\u003cli data-start=\"657\" data-end=\"1127\"\u003eDesign period: 1930s\u003c\/li\u003e\n\u003cli data-start=\"657\" data-end=\"1127\"\u003eProduction period: 1960s-70s\u003c\/li\u003e\n\u003cli data-start=\"657\" data-end=\"1127\"\u003eMeasurements: L4.5 x W4.5 x H5.25 in \/ L11 x W11 x H13 cm\u003c\/li\u003e\n\u003cli data-start=\"657\" data-end=\"1127\"\u003eCondition: very good vintage condition showing normal traces of use, no chips\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ad Origine","offers":[{"title":"Default Title","offer_id":48105612214520,"sku":null,"price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0761\/8884\/4280\/files\/AdOrigineFloralVasebySchramberg-1.jpg?v=1773664204"}],"url":"https:\/\/adorigine.com\/collections\/kloosterstraat.oembed","provider":"Ad Origine","version":"1.0","type":"link"}